Storyboards and Shot List

After a few set backs with production design, I can finally post the story board and shot list.

 

Motel
Bedroom

Motel

1A

shot_00002

Blue Print:

bp_shot_00002

Example of Move:

Camera Movement Description: Slow Hitch cock zoom.
Compositional Description: Profile of Chase sitting on the bed. Door and window in background, helicopter light shining through window.
Camera Notes:Camera Height: 4' Lens: 17mm

1B

shot_00001

 

Blue Print:

bp_shot_00001

shot_00002

 

 

Blue Print:

bp_shot_00002

Short Description: Chinese Dolly to Reveal Both Eyes
Compositional Description: The Camera starts at high angle profile but then moves with a chinese dolly to reveal both eyes.
Camera Notes: Camera Height: 5' Lens: 35mm

1D

shot_00001

Blue Print:

bp_shot_00001

 

 

Short Description: Medium of Chase at Window as he turns and grabs the bag.
Compositional Description: Slight dutch angle, Chase turns from looking out the window (helicopter light still flashing behind him), and approaches the bag (grey thing left of frame).
Camera Notes: Camera Height: 2' (on high hat) Lens: 50mm

 

1E

shot_00001

shot_00002

Blue Print:

bp_shot_00001

 

Short Description:  Camera booms up from Chase at the sink.
Compositional Description: Camera starts at the sink and follows his hands up his face.
Camera Notes: Camera Height: On the Jib with the GH3 all the way against the wall.  Lens: 17mm

3A

COMING SOON. THIS BITCH IS COMPLICATED.

Be in the mean time here’s the ending frame:

shot_00007

Blue print:

bp_shot_00007

Short Description: Crazy fucking mirror and jib shot
Compositional Description:OTS of Chase looking at Chase's refection. The police lights start flashing behind him. The camera RACKS to the door. Chase moves to the door and the camera does a 90 degree dolly turns and booms/jibs down on the crane to the fat man behind the door.
Camera Notes: Camera Height: Jib, on dolly with the Gh3 Lens: 28mm

5B

shot_00009

Blue Print:

bp_shot_00009

Short Description: Over chases shoulder, close on fat man.
Compositional Description:OTS of Chase with a high angle looking at the fat man. Start with the frame above, Chase will the pull the man closer when he tells him to shush.
Camera Notes: Camera Height: 4' Lens: 35mm

*Shot that’s not in the shot list:

shot_00008

Blue print:

bp_shot_00008

Short Description: Reversal of 5B
Compositional Description:Will be slightly closer then the image above. A low angle looking up at Chase. A reversal of 5b.
Camera Notes: Camera Height: 2' 5'' Lens: 28mm

5D

shot_00001

Case moves to the front of the bed:

shot_00002

Camera booms AND dollies camera right to:

shot_00003

Blue Print:

bp_shot_00003

Short Description: Wide of Chase coming to bag
Compositional Description: Camera starts at as a wide shot of the door, chase walks into a close profile. The police lights still flashing and the helicopter light still flashing in the window. The camera jibs/booms down with while dollying and zooming in to a 30mm on the bag as Chase grabs it.
Camera Notes: Camera Height: jibs and dollies Lens: 28mm and zooms to 30mm

8A, 10A and 12A

shot_00005

Camera slowly creeps into Chase as he reads the note:

shot_00004

Blueprint:

bp_shot_00005

 

End of move blue print:

bp_shot_00004

Short Description: Wide of Chase coming to bag
Compositional Description: The camera slowly creeps into Chase as he dolly in as he reads the note. Keep the lines. D.R, I know the lens is wide but we'll be on the 17-35 so we can go longer if we end up needing. Tyler would it be get a slight sodium vapor (defiantly not mercury vapor) spill on the left back wall.
Camera Notes: Camera Height: 5 feet on dolly Lens: 17mm, may zoom in to crush the focal length.

12B

shot_00025

shot_00026

Blue print (on 50mm)

bp_shot_00026

Short Description:  Close Up (Krieging shot) of Chase after he reads letter
Compositional Description: The camera is EYE LEVEL, for the first time. A krieging shot is a shot, on sticks, that starts dutch and ends level. (I'll show you the trick I use that accomplishes this). In this case, the camera shifts from being dutch to having even horizon lines, the first time the leading lines of the frame haven't been dutch. On the fifty this time because bokeh is important, and it should be used to make the PERCEIVED depth of field me shallow. However, if the fifty isn't enough, go to the 35mm and match the composition of the frame by moving Chase closer to the camera. We will also be on the Gh3 for the shot if need be. Tyler, I'd like to go wide open on this shot if it's not too time consuming of a change in lighting.
Camera Notes: Camera Height: 5 feet on dolly Lens: 17mm, may zoom in to crush the focal length.

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